DUAL MAIN CHARACTERS...

Discuss the practical use of Dramatica. Have questions about how throughlines should be used, how to create Complex Characters or even the various combinations of the 12 Essential Questions and how they will affect your story go here.
pbchrist
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DUAL MAIN CHARACTERS...

Postby pbchrist » Oct 12, 2008 10:13 pm

Hi, below is an analysis of Usual Suspects I pulled from the Dramatica website-- I'm wondering if someone can direct me to an article that discusses how dual main characters are handled. Regarding the below example, it does not seem that Kuyan and Keaton are the same person/coming from the same place/want the same things in the film. What am I missing?

thanks

MAIN CHARACTER (Kuyan/Keaton)

THROUGHLINE: Situation
CONCERN: The Past
ISSUE: Prediction vs. Interdiction
PROBLEM: Perception
SOLUTION: Actuality
SYMPTOM: Change
RESPONSE: Inertia
UNIQUE ABILITY: Interdiction
CRITICAL FLAW: Evidence
BENCHMARK: The Future
SIGNPOST 1: The Present
SIGNPOST 2: The Past
SIGNPOST 3: How Things are Changing
SIGNPOST 4: The Future

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Chris Huntley
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Re: DUAL MAIN CHARACTERS...

Postby Chris Huntley » Nov 19, 2008 4:30 pm

It has been a LONG time since I saw The Usual Suspects, but here goes.

Both Keaton and Kuyan are (or were) cops with concerns about the past. Both fall victim to appearances over realities. Both come to realization -- too late -- of what is going on, only after they reassess the importance of their professional status (which has blinded them to Verbal's/Keiser's manipulations).

That's about as much as I can come up with without seeing it again.
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