Applying the Storymind Theory to Seinfeld

Discuss the practical use of Dramatica. Have questions about how throughlines should be used, how to create Complex Characters or even the various combinations of the 12 Essential Questions and how they will affect your story go here.
User avatar
Best-Selling Writer
Posts: 103
Joined: Aug 22, 2012 2:03 pm

Applying the Storymind Theory to Seinfeld

Postby Geoff1975 » Dec 15, 2012 10:22 am

Before discovering Dramatica, I would have fun trying to find common a theme in the four Seinfeld story lines of an episode. Seinfeld practically screamed out for this because: 1) it was so dialogue witty, and 2) themes were clearly a focus of the comedy. What does Dramatica say about the division between, say, Elaine's story line from Jerry's? In Dramatica, it's as if there's a theme split into several perspectives. Is this form in Seinfeld or are they completely separate storyforms? Also, it's interesting from a character point of view, how Elaine wants things perfect, Jerry wants everything neat, George acts impulsively then second-guesses, and Kramer acts impulsively but never thinks twice.

User avatar
Chris Huntley
Site Admin
Posts: 724
Joined: Jan 25, 2008 5:19 pm
Location: Glendale, CA USA

Re: Applying the Storymind Theory to Seinfeld

Postby Chris Huntley » Dec 19, 2012 4:52 pm

1. I am not familiar enough with Seinfeld to say anything cogent about it in general.

2. Even though there may be an episodic 'formula' to the structure of Seinfeld episodes, I think I'd have to evaluate a specific episode to make specific observations about its structure.

Chris Huntley
Write Brothers Inc.

Return to “Practical Dramatica”

Who is online

Users browsing this forum: No registered users and 1 guest